Slow Trail into Mystery

Natural imagery is used throughout the exhibition, from macro, cosmic depictions of sun, moon, earth, skies, landscapes, seas, weather and wind to a micro-level that suggests fish, birds, flowers, plants, animals and shells. Humankind appears in various guises as, semi-abstract jigsaw pieces, life-studies and a realistically painted figure of childhood innocence, all in an environment where creative energy connects them to all things in nature.

The accidental pattern in both nature and familiar things around me has attracted my eye for as long as I can remember. I was experimental in my approach to materials.
I combined paint, print, frottage, rubbings, drips and textures for the excitement of the unexpected outcome. While planning and thinking about ‘Slow Trail into Mystery’ I had the joy of much of my earliest artistic wanderings coming to fruition. In my use of materials, I have attempted to express nature’s inexhaustible abundance, and humankind’s destructive abuse of our world. The theme of the exhibition is one of limitless possibilities addressing, as it does, The Human Condition.

In water-based marbling I found a secret affinity with the magical, rich and varied shapes embodying the organic qualities of water, plants and animals. It gave me a visual language that was suitably out of my control. I later employed a wide variety of different inks and acrylics, using materials in relief, with the background canvas offering an alternative level and with different thicknesses of paper adding the subtlety that somehow met the needs of the scope of my endeavour.

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2000 - 2015 contemporary